Miskwabik, Metal of Ritual

Metallurgy in Precontact Eastern North America

Amelia M. Trevelyan

Performing Arts / Film & Video / History & Criticism

Cutting Edge

Art-horror and the Horrific Avant-garde

Joan Hawkins

Performing Arts / Film & Video / History & Criticism

Dalí, Surrealism and Cinema

Elliott King

Performing Arts / Film & Video / History & Criticism

The Oxford Guide to Film Studies

Pamela Church Gibson , W. John Hill

Performing Arts / Film & Video / History & Criticism

The Matrix of Visual Culture

Working with Deleuze in Film Theory

Patricia Pisters

Performing Arts / Film & Video / History & Criticism

The Virtual Life of Film

D. N. RODOWICK , David Norman Rodowick

Performing Arts / Film & Video / History & Criticism

Counter-Archive

Film, the Everyday, and Albert Kahn's Archives de la Plante

Paula Amad

Performing Arts / Film & Video / History & Criticism

The Dinosaur Films of Ray Harryhausen

Features, Early 16mm Experiments and Unrealized Projects

Roy P. Webber

Performing Arts / Film & Video / History & Criticism

Film Theory

Critical Concepts in Media and Cultural Studies

Andrew Utterson , K. J. Shepherdson , Philip Simpson

Performing Arts / Film & Video / History & Criticism

Early Warner Bros. Studios

E. J. Stephens , Marc Wanamaker

Performing Arts / Film & Video / History & Criticism

Screen World 2007

Barry Monush , John Willis

Performing Arts / Film & Video / History & Criticism

Genre, Gender, Race and World Cinema

An Anthology

Julie F. Codell

Performing Arts / Film & Video / History & Criticism

American Film

A History

Jon Lewis

Performing Arts / Film & Video / History & Criticism

Feminist Film Theory

A Reader

Sue Thornham

Performing Arts / Film & Video / History & Criticism

Becoming Visionary

Brian De Palma’s Cinematic Education of the Senses

Eyal Peretz

Performing Arts / Film & Video / History & Criticism