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“To read [this] triumphant short novel is . . . to behold man’s heroic confrontation with the monsters of his own creation.” —The New York Times
Andrei Babichev is a paragon of Soviet values, an innovative and practical man, Director of the Food Industry Trust, a man whose vision encompasses such future advances for mankind as the 35-kopeck sausage and the self-peeling potato. Out of kindness, he rescues from the gutter Nikolai Karalerov, violently tossed from a bar after a drunken and self-destructive tirade. But instead of gratitude, Babichev finds himself the subject of an endlessly malignant jealousy, as Kavaelrov sees in him a representative of the new breed of man who has prevented him from realizing his true greatness.
A scathing social satire, Envy is a concise and incisive exploration of the paradigmatic conflicts of the early Soviet age: old versus new, imagination versus pragmatism, and the alienation of the romantic artist in the age of technology. One of the signs of the book’s universality is the fact that it has been claimed by nearly every school of critics and interpreted as everything from a submerged homosexual story to a twentieth-century Notes from the Underground.
“Poetic and satiric and quite an achievement, it is a novel everyone should read.” —Flavorwire
“Vladimir Nabokov had a low opinion of almost everything produced in Russia after his departure, but he admired Olesha’s writing.” —Columbus Dispatch
“Olesha writes about the clash of two worlds, but with a wry, half-defeated yet touchingly affectionate irony that seems entirely his own.” —Irving Howe, Harper’s magazine
Andrei Babichev is a paragon of Soviet values, an innovative and practical man, Director of the Food Industry Trust, a man whose vision encompasses such future advances for mankind as the 35-kopeck sausage and the self-peeling potato. Out of kindness, he rescues from the gutter Nikolai Karalerov, violently tossed from a bar after a drunken and self-destructive tirade. But instead of gratitude, Babichev finds himself the subject of an endlessly malignant jealousy, as Kavaelrov sees in him a representative of the new breed of man who has prevented him from realizing his true greatness.
A scathing social satire, Envy is a concise and incisive exploration of the paradigmatic conflicts of the early Soviet age: old versus new, imagination versus pragmatism, and the alienation of the romantic artist in the age of technology. One of the signs of the book’s universality is the fact that it has been claimed by nearly every school of critics and interpreted as everything from a submerged homosexual story to a twentieth-century Notes from the Underground.
“Poetic and satiric and quite an achievement, it is a novel everyone should read.” —Flavorwire
“Vladimir Nabokov had a low opinion of almost everything produced in Russia after his departure, but he admired Olesha’s writing.” —Columbus Dispatch
“Olesha writes about the clash of two worlds, but with a wry, half-defeated yet touchingly affectionate irony that seems entirely his own.” —Irving Howe, Harper’s magazine
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