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The Colonial Andes

Tapestries and Silverwork, 1530-1830

Cristina Esteras Martín , Elena Phipps , Johanna Hecht , Metropolitan Museum of Art (New York, N.Y.)

Antiques & Collectibles / Silver, Gold & Other Metals

When the Spanish landed on the coast of what is today Peru in 1532, they encountered the socially complex, artistically vibrant Inca Empire, whose vast, geographically diverse domain encompassed almost the entire length of the rugged Andes. Inca weavers and metalsmiths, building on thousands of years of local artisinal mastery, had created a spectacular body of imperial art whose bold, mostly geometric designs were powerful expressions of Inca identity and sovereignty. Within one generation that culture had been forever transformed by the establishment of the Viceroyalty of Peru. The remarkable exchange of cultures that ensued brought Europe and the New World together through a vibrant trade in goods, services, and ideas, creating a unique society that was richer and far more intriguing than the mere sum of its influences. This book illustrates and discusses in detail more than one hundred and sixty extraordinary fine and decorative art works of the colonial Andes, including examples of the intricate Inca weavings and metalwork that preceded the colonial era as well as a few of the remarkably inventive forms this art took after independence from Spain. An international array of scholars and experts examines the cultural context, aesthetic preoccupations, and diverse themes of art from the viceregal period, particularly the florid patterns and the fanciful beasts and hybrid creatures that have come to characterize colonial Andean art. -- Metropolitan Museum of Art website.
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