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Monsterpieces of the 2000s!

Aude-Line Duliere , Clara Wong

Architecture / Criticism

This collection of bestiaries is a critique of Monster Contemporary Architecture. It is a reinterpretation of contemporary iconic forms and the contemplation of the future states of these masterpieces, or more fittingly, Monsterpieces. Two Harvard architecture graduates challenge themselves to unlearn architecture history. They speculate on the future state of post-occupancy of contemporary architectural icons, creating a retrospective of future archaeological studies. A response and critique of iconic perFORMance--the current architectural trend in competing for attention--this fiction tells the story of building forms that do follow function. In this book, each eccentric form finds its justification in a speculative function, with surreal and dystopian connotations. The Casa da Musica is now a beach, and Selfridge Birmingham is a prison for TV addicts--nothing more, nothing less.
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