What to read after Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 2 of 10 (Classic Reprint)?

IF those who labour to become excellent in some art did not very often have the thread of life cut by death in their best years, I have no doubt that many intellects would arrive at that rank which is most desired both by them and by the world. But the short life of men and the bitterness of various accidents, which threaten them from all sides, snatch them from us sometimes prematurely, as could be seen in poor young Berna of Siena, who, although he died young, nevertheless left so many works that he appears to have lived very long and those that he left were made in such a way, that it may well be believed from this showing that he would have become excellent and rare if he had not died so soon. In two chapels of S. Agostino in Siena there are seen some little pictures with figures in fresco, by his hand; and in the church, on a wall now pulled down in order to make chapels there, was a scene of a youth led to execution, as well made as it could possibly be imagined, there being seen expressed in it the pallor and fear of death, in so lifelike a manner that he deserved therefore the highest praise. Beside the said youth was a friar painted in a very fine attitude, and, in short, everything in that work is so vividly wrought that it appears, indeed, that in this work Berna imagined this event as most horrible, as it must be, and full of most bitter and cruel terror, seeing that he portrayed it so well with the brush that the same scene appearing in reality would not stir greater emotion.

In the city of Cortona, also, besides many other works scattered in many places in that City, he painted the greater part of the vaulting and of the walls of the Church of S. Margherita, where to-day is the seat of the Frati Zoccolanti. From Cortona he went to Arezzo in the year I 369, exactly when the Tarlati, formerly Lords of Pietramala.

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