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Gender and Communication in Euripides' Plays
Between Song and Silence
James Harvey Kim On Chong-Gossard
The prominent role of women in Greek drama has always fascinated readers. This book proposes that women in Euripidesa (TM) plays communicate in ways constructed by the tragic genre itself as a ~female.a (TM) Yet these womena (TM)s words are surprisingly not uniformly dangerous or excessively emotional, as has traditionally been thought. Rather, Euripidesa (TM) women resort to a ~femalea (TM) ways of talking in order to enable others to understand them and their unique point-of-view. Aspects of womena (TM)s speecha "song, silence and secret-keeping as female verbal genres, and the challenges of speaking out of placea "contribute to Euripidesa (TM) portrayal of women as different from men. Originating in a culture where putting women under scrutiny was part of daily life, Euripidesa (TM) tragedies dramatise womena (TM)s constant struggle to control language.
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