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Alling's paintings are a development and progression of formal visual ideas, color exploration, light, composition, scale, and the phenomena of the natural world. Using close observation and magnified forms, she worked on a large-scale.
Her first one-woman show at 55 Mercer in 1972 was enthusiastically reviewed by Peter Schjeldahl, in the Sunday New York Times, Roberta Smith in Art News, and others who identified Alling as a painter to watch among the generation of realist painters working in large scale perception of reality: Alex Katz, Philip Pearlstein and Jane Freilicher.
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