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China in the Frame
Materialising Ideas of China in Italian Museums
Iside Carbone
The wide range of case studies brought together in this book draw attention to the impact of physical and cultural settings, as well as of various exhibitive criteria and techniques, on different types of manifestations of ideas of China through the medium of museum display. Adopting an underlying theoretical framework whereby representation is a mimetic operation that creatively contributes to the transmission of awareness and knowledge of the Other, the book provides a re-evaluation of the concept of appropriation, emphasising how the recognition of a cultural Other can be instrumental in the determination of certain modes of self-expression. On this basis, the book also elaborates a suggestive definition of Italian Orientalism intended as a phenomenon by which while relating to and trying to represent China, Italy is induced to question and represent its own cultural identity.
Through an analysis of fieldwork data, the book identifies and navigates the long and rich history of many of the buildings housing the displays, the different ages of the specimens exhibited and the diversity of topics illustrated, spanning from the artistic and technical achievements of ancient China to the socio-economic changes of contemporary China. As representations are re-affirmed, developed and changed, the variety of materials included in the displays play a relevant part in bringing forth the comprehensive and overarching character of cultural representations in museum contexts.
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