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Brahms Beyond Mastery
His Sarabande and Gavotte, and Its Recompositions
Robert Pascall
In 1853 Robert Schumann identified fully-formed compositional mastery in the young Brahms, who nevertheless in the years following embarked on further study, producing the neo-baroque Sarabande and Gavotte. This text gives an account of the compositional and performance history, stylistic features and re-uses of the dances.
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