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At the Dawn of a New Consciousness

Art, Philosophy and the Birth of the Modern World

Bernard Nesfield-Cookson

Art / Criticism & Theory

The Italian Renaissance is considered by many to mark the beginning of the modern age. The name itself (literally "rebirth") accurately expresses the innovation that took place during that period. Renaissance thinkers took a vital interest in history, literature, and the arts, focusing on the human world as much as, if not more than, that of God. The rapid development of the arts and sciences reflected their study of the visible, physical world in all its three-dimensional glory.

The source of these new impulses, says the author, can be found in what Rudolf Steiner calls the birth of "the consciousness soul"--the faculty for objective self-awareness. Instead of a primarily inward-looking consciousness, people began looking outward with greater intensity, observing the world around them in detail. With greater conscious of their separate being, people of the Renaissance began to study the phenomena of the world of nature from an individual, personal perspective.

In this enlightening book, illustrated with sixteen pages of color plates, the author illuminates the concept of the consciousness soul, showing how it is reflected in fifteenth-century Florentine painting, sculpture, and architecture, as well as in the impulses issuing from Plato's Academy of Athens.

C O N T E N T S

Prologue

1. The Consciousness Soul
2. The Renaissance: Fifteenth-Century Florence
3. Ghiberti and Brunelleschi
4. The Platonic Academy in Florence: Ficino and Pico
5. Humanism
6. The Dignity of Man
7. The Rise and Freedom of the Artist
8. Vitruvius: Symmetry and Proportion
9. Sculpture and Architecture
10. Brunelleschi and Alberti
11. Renaissance Experience of the Natural World, of Open and Enclosed Space
12. Portraits
13. Giotto - Masaccio - Donatello

Epilogue

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